Monday, April 24, 2017

still at port

Passengers gathered around the edge of the ship to watch it depart. Prepared for eight days in the chilly, windy, grey. He found himself a high spot where he could overlook nearly the entire ship.

The weather didn't have him looking forward to this leg of the journey. A few other people gathered on his perch. The Captain's bridge was just below them. All the railings were white and cold to hold onto.

He kept thinking about the woman with the broken arm and black eye.

Around her neck she had a scarf made of green and yellow and white. It seemed to depict plant matter of some kind, like palms or olive branches. The thin layers of the scarf wrapped around her. It gave her a disheveled but cozy appearance. Her id badge barely peaked out from under all that fabric.

The dozen or so people on the perch watched in meditative silence as the gates to the ship were lifted and the engines started to hum. Slowly, the ship parted from the dock.

She had a cast on her right arm and the right side of her face was scratched and bruised. He tried not to stare.

As the boat picked up speed, it started to get cold. People slowly left the perch to find warmth inside.

He tried to imagine what happened to her, or what she might be called.

He suddenly felt homesick.

Tuesday, April 18, 2017

the rocks and water and moss

standing - arms stretched out and down
like wings about to embrace a gust of wind -

feet shoulder width apart for stability
on the flatten rocks of a jetty - wet from fog -

as the sun begins to rise above the trees -
lined up like soldiers ready to charge the sea -

waiting to feel something or hear something -
anything - that proves there is more

than rocks and water and moss, but knowing
that there does not need to be anything more -

the rocks and water and moss are amazing.


the best compliment
you can get
is a quiet one

something as soft
as a cat curling up
on your lap

or as temporary
as a half smile
meant only for you

a cabin in the living room

there are three cats
who occupy a house

with two humans
on a little street

with eighteen houses
near a cranberry bog

and one of these cats
has a little cardboard cabin

of which he is
the sole occupant

and this cabin sits
in the living room

of the house on the street
near the bog in the town

and inside the cabin
he plays with a toy

shaped like a carrot
filled with herbs

that make him happy
to be in his cabin alone

Saturday, April 15, 2017

the gosnold scenario

the general sent us

there were reports of pineapples
and palm fronds growing in

and rumors of suspicious glistening
puddles after heavy rain

so we came here to take a look

asking around we discovered
the locals have been harvesting

the foreign produce and selling it
at import prices to local markets

the colors in the puddles
after heavy rain have yet

to been harnessed for wealth

when asked about the puddles
half will tell you they exist

while the other half will deny
the reality of such fantasies

as if reality itself were at stake

we got no where with our investigation
until the scientists got samples

of the unusual fruits and grasses
and we stayed for the rain ourselves

afterwhich half of us saw the
glistening colors, and half of us

denied it completely

Friday, April 14, 2017

first dibs

i'd give you first dibs
on the rare stuff, though

a clandestine transaction -
an exchange between foes -

not of each other, but one
mutual malevolence -

the overlord of emotions -
the suppressive force -

a culture of manipulation
with deep, dug out layers

of deals and arrangements
between people who have nothing

to lose or gain in the clutch
of a fast spinning reality -

sharing stuff for things
and dibs and props, though

Wednesday, April 12, 2017

dead land and no king

disgust stuck
to the roof of your mouth

the sickening churning
chum curdling in your guts

forming gross pain
starvation of the already

strained land we pluck
and pick dry until it bleeds

covered in patches and
quick fixes we give it nothing

to give back but
timid attempts at poison

eking out of surfaces
not designed to function

as weapons against
those who attempt

and fail to create then
to crate the creature

from the keeper without a
cage to escape the clutches

of jaws and claws
of a starving pride

Monday, April 10, 2017

about everything

step ahead one small pace after another one pacing the tempers of those around pacing slowly in a line so long there's no end to be seen while waiting to be filed like prepackaged produce on a ship headed for promise that smells a lot like dirt and oxidation of metals mined by those who went before to dig holes in the ground for dreams to be poured over with concrete and plaster and wood and memories of the places left behind.


panic sets in when a message goes without reply to for too long and without excuses so what to say to make it okay when it's still okay with the original sender but the delayed replier doesn't want the wrong message unspoken to go understood so the reply is "I love you" even though it doesn't make sense to do so then and there but it happened and it's out now.


drink dirty water to ease the horror and tangles of threads of pain in the gut in the center of the dessert laden with purple flowers poison to many but beautiful to all at the lip of every cactus beckoning to be touched and tasted to leave a victim at its trunk so it can drink the blood like a spider through its needles to survive as a human animal tries to survive too with a nearly empty jug and no sense of direction.


side by side project

take a deep deep breath and breathe with me in and out until our heartbeats match as we lie with cheeks touching staring up at the sky watching clouds whisper past and pretend to pay attention to the shapes when all either of us can think about is one another.

Sunday, April 09, 2017

let's call him Doug

a damp day, downtow
a dumpy dodge truck pulls up

to the drive up window
of a dunkin donuts and

asks his dog what he wants:
two dozen donuts to share

with this guy and some dame
down the road.

Saturday, April 08, 2017


it's not about how long it takes to make
twenty four perfect pancakes

you're worth it.

it's not about how uncertain i am
of the color brown

when it comes to butter.

it's not about how heavy or large
the finished thing is

and how it barely fits in the fridge.

it's about how quickly you can finish it
in comparison.

what do we do now?

you try to inhale -
take in the lingering scent

and understand how -
inhale again, breath more

and absorb -
how could she do this

to you - to us -

exhale and count to ten.
let go of the tension

and just forgive him.
or leave. just leave.

let him figure it out.
let him be by himself.

just leave, or forgive?

Tuesday, April 04, 2017

Flappy had the Missing Pieces

i suppose the most obscure fact i know
is who the muffin is and how many

huckleberries there are in each one.
or that one phrase in Norwegian, i know that too.


we underwent an engagement 
an arrangement of intransigent consent 
bent against the garment of better 
judgment, adherent to the absent deterrent 
tormented by the antidote to enlightenment 
by the high percent of dissonant immunity 
misspent gentrification on burnt butter 
and inclement sugar addiction, the human trap  
factors in the intelligence of sentiment 
organized by pigment and taste 
according to incident alignment against 
populist movements and condemned  
counter-movements, perpetuated by 
the affluent and incumbent appointment

Monday, April 03, 2017

Dear Benjamin Franklin

you left the ocean for the sky --
and how do you think
the Navy felt about your exit?
or the vegetarians for that matter?

Sunday, April 02, 2017

an ode to overkill


thick overkill

with chains on

you can hear him

approaching from down the street

he is coming over

to visit you

even though


told him

with emphatic finality

to leave you alone

for the rest of forever

because you didn't

want to


his superhero

boyfriend after all

that happened when he

met that spider fellow and

took off without you

from the party

at ironman's


Saturday, April 01, 2017

no time for ideas and bones

as they approach the horizon, stumbling
they make their way like animals but less noisy

if you can imagine it, like silence you can hear
then there's no time to come up with a solution

except to lay horizontal, and we do it,
we stunted the soldiers' approach

flat like insects under deiseal engine wheels
but not a single bone to break in these bodies

National Poetry Month 2017

hi all,

i will be attempting to follow these 30 writing prompts for National Poetry Month (NaPoMo) 2017:

Wednesday, March 29, 2017

a normal poem about love

this is a normal poem about love,
about a two people who see each other

for the first time and from the first time
it's perfect for a moment

until one unknowingly profanes the perfect illusion
that the other has devised in great detail

without evidence or corroboration
from the actual person whose eyes they met.

and from the first time in that first moment
they successfully create an alternate reality

populated by a pod person for their own pleasure
dedicated to the way they prefer to be touched.

the language of love is never made of words
until someone writes a poem just like this one

and ruins it for everyone.

Tuesday, March 21, 2017

a whale for the almighty

has a whale ever been trapped
in the carcass of a volcano?

an atoll in the middle of the pacific?
or does it depend on the reef

and the dunes and the way the sun
shines off the surface of the solar panels

that speckle the beaches
and modest rooftop of the

Tokelau town hall? and would it
take all the people there to get the whale

back out to sea safely if it had
been trapped in the first place? and would

there be enough time for the whale
to survive, swimming past the sharks

hidden in the surrounding shallows
as they wait for fishermen to leave

and the remaining fish to settle back
into tight schools for better hunting?

or is all of this irrelevant
because a whale knows better

than to get stuck anywhere at all
unless it planns to make such a sacrifice

in order to keep mystery and science alive?

Wednesday, March 01, 2017

The Lincoln Macomber

it takes just one turnip
pulled up by a bored fella

under a clear sky
in south eastern Massachusetts

one turnip deformed
by a rock in the soil

looking an awful lot
like the 16th president

to set the imagination of a fella
ablaze with fantasies

about a Kentucky turnip
fighting for the freedom

of turnips everywhere,
and unifying the great

turnip nation.

Friday, February 24, 2017


bustle. now there's a word.
bustle. in the square. in the leaves.

constant bustle. bustlement.

bus-t-le. busetele. bustling beetle.
beetlement. so it's easy to get lost.

lost in the bustle of the city.
the city state with a curious

lack of pigeons. and women.

weaving. winging. pecking.
protecting and bustling.

well manicured. but a weevil.
a little beetle. can get lost

in the bustle. the city bustle.
and dodge the eyes of bishops

caring for the olive trees.

an olive weevil. a bustling.
a leaf eating. a stealth agent.

in a city with a population
this small. but with this many

bustling visitors.

a weevil gets away with a lot.
a lot of leaves. bustle from tree to tree.

a weevil in vatican city.

Tuesday, February 07, 2017

new standard

does anyone else feel this tired? all the time.

does anyone else feel tired even when they are dreaming? deep in sleep, my persona is too tired to jump off the building, so she just falls.

does anyone else feel too tired to take care of themselves, because we're trying to take care of ourselves. our civil rights being pressed like apples into cheap cider.

does anyone else feel this tired? so far and deep that we feel it in our organs and bones, but the fever is not caused by a virus.

does anyone else feel this tired? and yet unstoppable?

does anyone else feel this new standard of living, this new drive, this new guilt for not having felt this way before?

Sunday, January 01, 2017

Katy's Top FOURTEEN Films of 2016

Yeah, I know these sorts of lists are meant to be top 10 or 20 or some more conventional (yet still, let's be honest, arbitrary) quantity. The fact is, though, of the 47 or so movies I got to see at the cinema this year, there are 14 which I consider noteworthy, and would recommend you see if you have not yet.

Presented in nearly the order I saw them, here are my top 14 films of 2016.


This is a quiet film. There are lengthy shots of the wind blowing through the trees. The place it takes you is the confines of this family juxtaposed against the massive undiscovered world beyond the tree line. The era it takes you to is simple, punctuated by the chaos and rage of fear and suffering.

It would be very easy to draw parallels between what the oldest daughter in this film goes through to, say, a lesbian girl coming out to her family even today.  In alienating the girl from her family, the film throws shade on every member of the family; from screeching twins who may or may not be possessed to the questionable behavior of the father to save his family from complete damnation.

For me, the film gave me the space and time to question every character. I lingered in their reality for long enough to think myself in circles. By virtue of all this space, the film builds tension in tandem with distrust. I found myself questioning every character (including the livestock), and continuing to be anxious for and surprised by the answers.

You're going to need a dark room, the darker the better. You're going to need it to be very quiet. Turn your phone off for 90 minutes. Engaging fully with this film is how it should be seen. I had the fortune of a very quiet audience in attendance while viewing this film while friends of mine have not had the same pleasure, and the difference in experiences seems to make or break the film.


"In tha coast gAud they say ya gatta go out. They don't say ya gatta come back." -Bernie WebbAh
Reason one for my affection for this film: Chris Pine, you darling man, your accent was... astonishing. I love how much your performance made Ryan laugh. The trailers alone for this film endeared me to it thanks to the litany of goofy voices.
Accents aside though... let me tell you why I like this movie so much: The crew of the SS Pendleton. While the movie is split pretty evenly between Bernie Webber's plot at the Coast Guard station and the back half of an oil tanker, it was the crew of the back half of the oil tanker that I found most compelling, dramatic, and interesting. The oil-slicked, brawny crew is composed of a wide-range of complex personalities. Cassie Afleck's character is emotional married to the Pendleton. The chef is outwardly jovial for the benefit of his staff while inside cowering like a sheep. The boy that the captain can't understand when he speaks is smart and careful even when he's frightened. Everyone cast as a member of this crew clearly took time to round out their character and the relationships between them all come through in their half of the film. Ah, all while rushing around in greasy water, might I add. This is great writing, great direction, great acting, all working hard together to make me care for these men stuck at sea in the back half of an oil tanker.

I don't remember the real Eddie's performance. I was just a bit too young to appreciate anything other than The Muppets at the time. Even if you don't know who Eddie is, this charming biopic is still valuable on many levels. First of them being the adorable, clever, talented Mr. Taron Egerton. Taron instantly makes Eddie sympathetic despite the insanity of the character's actions. From the very beginning, you're rooting for Eddie.

Eddie's mother also endeared me to Eddie himself. She is presented as a gracious, proud, strong, encouraging, loving woman who works as hard as she can to help Eddie out from under the discouragement from his father. I love her as much as I love Eddie in this film.

And as far as story-telling goes... this movie hits every beat. I laughed, I clenched my teeth in fear, I cried tears of joy.

There isn't a whole lot more for me to say other than GO SEE THIS MOVIE! It's a triumphant tale in a new world where triumph will come in many shapes and forms. Eddie may have been a one-Olympic wonder, but his efforts reshaped the sport of ski jumping and the definition of victory.


Goddamn was John Goodman great in this film (sorry for the terrible angle in the pic, John!).

There are a lot of spoilers that could come out of a review of this film, but part of what I loved about it was that I knew so little for certain about the universe in which this film is set. I had a lot of ideas... it does have Cloverfield in the title. Remember Cloverfield? That shaky-cam kaiju flick? So I go to see this movie that I know is set in a bunker from the trailers, and I *think* is set in a world where monsters are real. I don't know when it is set compared to it's fellow film (not sure if it is a prequel or sequel or simultaneous-el or alternate reality-el). I don't know who these people are or why they act the way they do.

Here is what I do know... they are all in a bad situation. Some worse than others. They are all questionable characters based on their actions (although we follow the thinking and discoveries of Michelle, I still can't figure out why she left Rocket Raccoon at the start of the film).

This film pits the bad-bunker-buddies against the fear of the unknown quality of the world above. Is it worse to be trapped underground with a mentally-unstable, overpowering, and potentially murderous man as a companion or be torn apart by the radioactive climate and giant monsters that *might* roam above ground? Do you fight the certain threat, or risk the uncertain one?

Either choice, it's a scary one. And a scary film. And an exciting film. And a lot better than that other Cloverfield movie.


I hear a lot of people, specifically fans of the horror film genre, complain that there is a lack of originality or that "they" only make remakes these days or whatever other bogus mumbo-jumbo. Sorry, friends, but you cannot complain to me about nothing new hitting the screens if you haven't been paying enough attention to seek out horror films put out by studios like A24 and Annapurna. Both are mid-sized studios who are distributing quality films with quality casts. And these are exactly the studios fans of genre films should be seeking out and supporting. Don't complain to me, movie goer, if you think the only movies being made these days are by Marvel Studios. It doesn't take a whole heap of effort to open your fandango app every once in a while and see what's playing and who funded it. Even on film-remote Cape Cod, we have multiple cinema options. We didn't get to see Lobster or Swiss Army man this year, but we did get The VVITCH and Green Room on the big screen.

Okay, enough fan-bashing... this movie is hardcore. This movie is scary. This movie is gory. This movie is believable. These characters are tough as nails. These characters cry. These characters are not easy to predict who lives and who dies... or at least, hard to predict in which order they die.

Nod to Patrick Stewart's super understated evil in this film. And damnit, Anton is such a great talent. I already miss him so much. Maybe the actual greatest loss alongside Bowie this year. He had so much going on, so many performances in him... so much potential lost to a seriously freaky accident.

I also LOVE when a story teller is brave enough not to give everything away. I LOVE the very end of this movie so much. It ends on a simultaneous pay-off and sting. So good.


In an attempt not to get too hyperbolic in my praise of this movie... WHY ISN'T THIS AT LEAST AS POPULAR AS HAMILTON!?

This is a movie about a GANGSTER KITTEN.



You read it right. A. Gangster. KITTEN.

Great qualities of the film: lots of love for George Michael. No supernatural bs (I do not count that one scene as supernatural, it was a vision). No talking animals (yeah, you can make a film about a gangster goddamn kitten without making it talk other than meowing). John Wick quality gun shoot outs.



It didn't make my list because of the cg rock (which was genuinely awful). It didn't make my list because of the plot. It didn't make my list because of Kevin Hart. It didn't make my list because of Dwayne Johnson.

This film made my list because Kevin Hart AND Dwayne "The Rock" Johnson are comedic soulmates. Thank goodness they finally found each other and are making movies together now and forever.

These two have magical chemistry. Just looking at this picture of them makes me smile.

I adore them. I will see any movie they make together.


The Purge Election Year came out at a time in American politics when I was able to laugh at satirical content. Now... and this might sound dramatic, but it feels a bit too real. A film franchise built on economic inequality as its central protagonist to the world in which it takes place, is too true in a real world where one of the wealthiest cabinets in American history is now only 20 days away from taking office and taking control.

The NFFA - the New Founding Fathers of America - are a bunch of wealthy, old, white farts who make bank on the damages done during the annual purge. They are too powerful for the rules to apply to them. They are too wealthy to suffer. Their power manifests in a few poignant ways throughout the film.  One key point I thought was particularly telling was that the shop owner featured in the film can't afford the sudden and extortionate spike in his purge insurance that comes just days before the purge. The rich get richer, right? Right. Up until the point that the underground bad-asses come for their asses!

Aside from political commentary, the film also has some fantastic scares, creative designs (rock on costume and prop departments!), and some really likable characters who develop throughout the story.


I loved this movie. I need to watch it as many times as I have seen the other two Ghostbusters. I love Kate McKinnon. I love that Ecto is now a hearse (seems wildly appropriate for a ghost busting vehicle). I love that they kept the logo. I love that little girls and boys now have a team of badass women to look up to. I love that the film plays with all conventions by casting a hunk of beautiful man-meat in the secretary role (although to be fair, Janine was never as brainless as Kevin). I love that almost the entire cast of Other Space made appearances in the film. I LOVE the scene with Kristin Wiig's Erin is being dragged out of a fancy restaurant screaming and crying at the Mayor. I love Kate McKinnon. I love what Paul Feig does for Melissa McCarthy on a performance level. This and Spy were so much fun and so sweet.

The cg was stylized and mesmerizing in 3d. The gags were fun, funny, and charming. I don't have anything deep or complicated to state here. I don't have any complaints other than how jarring some of the cameos were (but I kind of expected that to be honest). I just enjoyed it. And girl power! Am I right?


I really like the entire new series of Star Trek films, with and without Benedict Cumberbatch. I love Bones played by Keith Urban. I love Spock played by Zachary Quinto. I love Kirk played by Chris Pine. I love Uhura played by Zoe Saldana. I love Chekov played by Anton Yelchin. I love Sulu played by John Cho. I love Scotty played by Simon Pegg. I love it all.

And in this flick, I really love the female lead, Jaylah. She's compelling, beautiful, strong, clever and independent.

My overall opinion of this film is in keeping with my opinion of the other two. It is fun, colorful (visually and contextually), action-packed, pretty, very pretty, and smart. While I don't expect a high emotional reaction to films like this one, I do expect to be entertained. And I was.

Plus, the film created the space for a stupendously cliché moment, and basically gave the audience the bird for even thinking it would do such a thing. I loved that. Idris Elba was also, by the way, great in this!


Laika did it again, folks. From the masters behind Box Trolls, ParaNorman, and Coraline, comes Kubo and the Two Strings. The stop motion animation is beautiful and captivating. Laika continue to break new grounds in animation. The story is sweet, heroic, complex, and compelling. The MUSIC is phenomenal!

Here I am going to go again and tell you... if you are one of those folks who claims that nothing new and original is being made... go buy a pair of Nike shoes or go buy this movie on bluray or do both.  (Nike foot some of Laika studios' costs for their films. Pun intended!)

Kubo is a new fairy tale. A NEW one. And it's beautiful!


Trapped in a house with a blind karate wizard master man, bitter and angry about what other people have done to him, is a bad place to be. But, it is a great premise for a film. Especially if, like me, you get claustrophobic.

Beyond the premise, the film delivers motivation for each character believable enough to have created the situation of the film. The scars got me. The tension got me. The desperation and hopelessness of the situation was felt.

My favorite part of this film was how evenly matched the main woman and the blind man were matched. She was smart, but desperate. Good scary movie if you want to be scared. And in my opinion, making someone feel scared for as long a duration as this film did a great work.


Here is another film for me wherein the characters are what endears me to it. Oh, the human/wizardy characters AND the animal ones. The beasts were indeed fantastic.

The non-heroic male figures, the somewhat diddling but proactive and vibrant female figures, the complex and distant figure of the wizard president lady, the awkward and suppressed children, they all fit into each other's story lines like weirdly shaped jigsaw puzzle pieces. Rowling knows how to write a story, no doubt about it.

My favorite part of this film is the contrast between it (where and when it is set as well as the encapsulated story) and the Harry Potter films. Most significantly, the wizards of old timey New York are much more overtly isolationist, while the Hogwarts adults work strongly against their own racism for the benefit of the children - especially those with part or all muggle parents. Racism and discrimination is still a convention of the wizard world in both films. In Fantastic Beasts, our muggle or Nomage is the affable baker, Kolwaski. He doesn't voluntarily entangle himself in the world of wizards so much as he is sort of smuggled into it by Newt (who I genuinely think needs and wants another outside friend to give him courage and perhaps even show him how to "normally" react to certain things, because I think Newt doesn't conform to social norms on all levels). Kolwaski is loved by all - in and out of the film's reality - and his story is probably the most beautiful and emotional of all the characters in the film. His role as the outsider is even more powerful than that of Harry or Hermione who both come from a different place than most of the other characters in Harry Potter, because Kolwaski ultimately, even though he is desperately in love with a wizard lady, decides not to become part of the wizard world. I feel that this choice is not out of fear or cowardice, but out of bravery.  For Kolwaski, he has the option to let his wizard friends take care of him, astound him, and protect him, or he can face the world head on and make his own way. Newt undermines Kolwaski's strength of character at the end, but I believe that Kolwaski was prepared to grit his way to success if he had to. I believe that although he would not remember what he'd experienced, he knew more about his true character from the experience and had faith enough himself to carry on through his own world of struggle and make his dream of owning a bakery come true. That, to me, is what Fantastic Beasts is all about, I guess. I hadn't thought as deeply about it as this until just now... need to go re-watch this film soooooon. Also, I think I just made this my favorite Harry Potter franchise film...


She might still have the insanely big eyes of a bratz doll, but aesthetically, Moana as a character design, takes Disney a huge step in the right direction towards all-body-type-inclusive. The film still suffers from the all-female-characters-faces-are-the-same while all-men-have-weird-and-interesting-shaped-heads problem... why is that!? It's almost like we hold women, all women, to a uniform standard of beauty, even when we are consciously trying to do the opposite.

That being said, Moana's character/personality/role is progressive. She's in line to become chief. Heck yeah! And at no point does the film make any excuse for it. It just is how it is. She isn't perfect, she isn't flawless, she can't do it all alone, but she tries, and that's awesome. Aladdin was nothing without the genie, so I have no complaints about Moana enlisting the begrudging assistance of a demi-god.

This film also made my list because, well, I am still a bit high on Lin-Manual Miranda, so...

Oh yeah, and, the tattoos on Maui are fun and a great little story device: how to say a lot without saying anything.

Actress of the Year: Amy Adams
Batman vs Superman, Arrival, and Nocturnal Animals

I felt compelled, after seeing Arrival and Nocturnal Animals, to include a top/favorite actress in my list of favorite films of 2016. Amy Adams is incredible, but you knew that already. She was the second best thing about Batman Vs Superman (second to Wonder Woman, of course), and she was the centerpiece for both Arrival and Nocturnal Animals both aesthetically and narratively. 

Actor of the Year: Mads Mikkelsen
Doctor Strange and Rogue One

Because I decided to chose an actress of the year, I thought I should even things out with a bit of Mads Mikklesen. Like Amy, he was my favorite part of several films this year that weren't over-all good enough to make my list. Namely, Mads rocked the most stellar eye-make up this side of the galaxy in Doctor Strange, and he played an epic role in the new Star Wars movie. His death in that film was the most compelling part of Rogue One for me - possibly because Felicity Jones as Jyn made me actually care about him as a person and not just a plot point.

Finally, to give some context to my list, here are all the films I saw in the Theatre in 2016 (in the wrong order, but whatever):
  1. The Witch
  2. The Finest Hours
  3. Hail, Caesar!
  4. Pride and Prejudice and Zombies
  5. Deadpool
  6. Zootopia
  7. Zoolander 2
  8. Eddie the Eagle
  9. Whiskey Tango Foxtrot
  10. 10 Cloverfield Lane
  11. Batman V Superman: Dawn of Justice
  12. Hardcore Henry
  13. Captain America: Civil War
  14. Barbershop: The Next Cut
  15. Green Room
  16. The Jungle Book
  17. Keanu
  18. X-Men: Apocalypse
  19. The Nice Guys
  20. Neighbors 2: Sorority Rising
  21. Me Before You
  22. Popstar: Never Stop Never Stopping
  23. The Conjuring 2
  24. Central Intelligence
  25. The BFG
  26. The Purge: Election Year
  27. Ghostbusters
  28. Star Trek Beyond
  29. Sausage Party
  30. Kubo and the Two Strings
  31. Don't Breathe
  32. Morgan
  33. Blair Witch
  34. The Magnificent Seven
  35. Miss Peregrine's Home for Peculiar Children
  36. The Accountant
  37. Jack Reacher: Never Go Back
  38. Doctor Strange
  39. Arrival
  40. Fantastic Beasts and Where to Find Them
  41. Moana
  42. Allied
  43. Nocturnal Animals
  44. Lights Out
  45. Rogue One
  46. Assassin's Creed
  47. imp man 3